zoë rose bryant’s review published on Letterboxd:
Woody Norman has one line at the end of C’mon C’mon that should secure him the Oscar in a just world, and it’s insane to me that we’re struggling to wrap up this Best ing Actor race when he’s RIGHT THERE.
The bias against children in acting races during awards season is so baffling to me. Just this year alone, he gave one of the best performances I’ve seen PERIOD, and he absolutely be taken seriously in these conversations.
(Also, let’s give Gaby Hoffmann the same hype we’re giving to Phoenix/Norman. The way she elevates what could’ve been no more than a stereotypical “woman over the phone” character is ELECTRIFYING.)
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