Halloween: Once More, Without Feeling. Abysmally paced, Prom Night succeeds in one thing only: making each kill feel like a gift from above. The characters aren't particularly revolting, but they're so hopelessly boring and stale that most of them—including that weird-looking Tony Curtis' daughter—can't be described even in two words. They simply exist without ever influencing the plot, aimlessly wanding and waiting for a chance to get rid of all that blood in their bodies. The closing credits aren't even finished, and I already can't one, just one name or face. Well, except for that weird-looking Tony Curtis' daughter.

You’re all boring and wrong, Corporate Animals is awesome and surreal and funny. For god’s sake, didn’t you all promote the Eat the Rich? There you have it.

I love a successful businesswoman story.

Gay son or bloodsucking daughter? Surprisingly boring, given its ingredients.