It is time.
Enjoy my latest entry in the SSIACCU (Spencer Steeby in a cubicle cinematic universe)
Taylor Williams Patron
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2022
In April 2021, living in semi-isolation, I would wind down after a hard day of LinkedIn/job applications and tinder swiping by cracking open six cans of Carlsberg Danish Pilsner and watching Workaholics. This is the product of my headspace at that time.
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2022
In April 2021, living in semi-isolation, I would wind down after a hard day of LinkedIn/job applications and tinder swiping by cracking open six cans of Carlsberg Danish Pilsner and watching Workaholics. This is the product of my headspace at that time.
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2025
This seems to have been the “Wes on autopilot” straw that broke many a camel’s back. It’s a bit slight, but I enjoy his smaller-scale films just the same (well, maybe a little less, but enough). I guess his earlier work is technically smaller scale than a globe-trotting espionage film with interludes in the afterlife, but emotionally and narratively this still feels pretty sparse, which for me is not a detractor but basically just a neutral quality of the film.…
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2025
This seems to have been the “Wes on autopilot” straw that broke many a camel’s back. It’s a bit slight, but I enjoy his smaller-scale films just the same (well, maybe a little less, but enough). I guess his earlier work is technically smaller scale than a globe-trotting espionage film with interludes in the afterlife, but emotionally and narratively this still feels pretty sparse, which for me is not a detractor but basically just a neutral quality of the film.…
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