Is it really the right approach to try to understand what Godard wanted to say in any of his work from the last few years. Is there really anything to understand? Expose du film annonce du film “Scenario” reveals the intricacies of his pre-production process. “Scenarios” is not the “Scenario” announced in Expose. It is a testament of sorts, completed literally the day before his assisted suicide procedure. I'd say it's the closest cinematic equivalent to a stream of consciousness novel. Portrait of the artist as an old man. The value is not in what it says but in what it is. I found it poignant.
