Letterboxd officially turned ten this past October. We asked ten to tell us what a decade of tracking films has meant to them. (It’s meant the world to us!)

As his Tilda Swinton-starring film Memoria begins its infinite, one-cinema-at-a-time U.S. tour,  Apichatpong Weerasethakul wants us to stop obsessing about ourselves.

From Studio Ghibli classics and stop-motion delights to Akira Kurosawa’s Throne of Blood, acting sisters Thomasin and Davida McKenzie share their family holiday film favorites—along with tales of tresing, homeschooling and the small matter of life and death.

As Parallel Mothers comes to US cinemas, Pedro Almodóvar fans Aaron Ruttenberg and Carlos Crespo chat about the Spanish filmmaker’s canon, queer misbehavior and cinematic debauchery.

In a Letterboxd first, we’re proud to present the debut director commentary for Jim Cummings and PJ McCabe’s Hollywood comedy-thriller, The Beta Test.

Writer-director Lauren Hadaway on finding the balance in life, escaping the culture of American student debt, and learning from the best in the business.

The Unforgivable director Nora Fingscheidt on celebrating wild children, remaking Titanic, and the force that is Sandra Bullock.

Silent Night filmmaker Camille Griffin leans into the messy excess of the season as her movie s The Green Knight and Spencer in the canon of offbeat, ‘WTF’ Christmas movies.

The star of Sean Baker’s Red Rocket talks non-stop about rooting for the bad guy, learning how to listen, and the Letterboxd review that started it all.

The writer and director of C’mon C’mon on the beauty of therapy, grief as a superpower, and the maddening toxicity of “manspreading whiteness”. Plus: his film faves, from Lanthimos to Campion, Keaton to Wenders.