Eris Grey

Favorite films

  • Only Lovers Left Alive
  • Sinners
  • Eternal Sunshine of the Spotless Mind
  • Rogue One: A Star Wars Story

All
  • Ballerina

    ★★★½

  • Mission: Impossible – The Final Reckoning

    ★★★★

  • Heart Eyes

    ★★★½

  • Final Destination Bloodlines

    ★★★

More
Ballerina

2025

★★★½ Watched

Ballerina

Writers: Shay Hatten, Derek Kolstad
Cast: Ana De Armas, Keanu Reeves, Ian McShane

’Ballerina’ is explosive fun in the world of John Wick; it’s a notable and elegant expansion of the world that encomes both familiarity and new faces. Placed between John Wick 3: Parabellum and John Wick 4 comes the story of Eve, a once innocent little girl who watched her father get murdered at the hands of a cult of assassins. She’s found by Winston, the infamous founder…

Mission: Impossible – The Final Reckoning

2025

★★★★ Watched

Let’s dive into this like we’re hanging off a plane at 30,000 feet. This review won’t self-destruct at the end of it, and neither will the franchise that lived on for 29 years. With flares of stylistic cinematography and action-packed sequences, Tom Cruise crafted a love letter in the finale of his series, one written without the notion of slowing down, but ending the franchise with a bang.

Stunts that defy gravity, an IMF team that’s closer than ever, masks…

More
Sinners

2025

★★★★★ Watched

I wouldn’t classify this film as a horror movie, at least not a typical one we are used to, where the horror is the story's crescendo. It’s definitely pivotal and it’s important, but the story of Ryan Coogler's Sinners’ lies within the characters. This isn’t a simple vampire film, it’s a sexy, unsettling explosion of Southern Gothic, vampiric lore, exploitation, and the birthplace of of the blues.

Coogler has made a masterpiece, and he did so by intertwining authentic music…

Wolf Man

2025

★★★ 3

Shall we start with putting recognition where recognition is due? The sound design of this film is phenomenal. The magnified sounds of small critters and vicious beasts set a resounding tone for the film, and an incredible sense of duality was met during sequences of transformation, with both Garner and Abott having vastly different versions of the same experience. Second, I have a deep love for a film that's not afraid to make its audience queasy, and there were some…